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shit Skrzyneckis poems Feliks Skrzynecki and Postcard both explore complex judgment about belong. Both poems suggest that belong comes from a partnership to pull and people, people can choose to belong and that belonging can be modified over time. Feliks in diaphysis Skzyneckis poem Feliks Skzynecki incurs a coda lodge to places and people. He is exposit at the beginning of the poem as loving his tend want an only child, sweeping its paths/ Ten genesis around the world. The simile and hyperbole evoke a blubber out of his dedication to his garden and his paternal savors towards it, connecting to this place like a father connects to an only child. His soul of belonging as well comes from his close connector to his Polish superstars who reminisced/ About farms where paddocks flowered/ [] Horses they bred []. The cumulation of haughty verbs conveys a sense of their nostalgia and shared pride in their cultural hereditary pattern; a heritage that connects them to spa wnher and fosters a sense of belonging. Contrastingly, in Postcard, Peter Skrzynecki does not feel the same sense of connection to his homeland that his father feels, alone rather feels alienate and disengaged.

The postcard of Warsaw sent by a friend Haunts him since its arrival. The eerie connotations of haunts and its position on a musical note by itself portray the personas unease and uncertain connection to this place. This contrasts to his friends perception that his parents go forth react positively to this postcard, feeling a sense of connection to it: He requests I show it/ To my parents. The separation of I and his parents on a separate line suggests their different percept ions to the postcard. This alienation from t! his place comes from his lack of direct arrest of it, contrasting with Felikss time spend in his

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